2020 Lucas Center Faculty Fellow: Megan McShane
October 06, 2020
/ Megan McShane
Tell us about your life before you came to FGCU.
Before I came to FGCU I was teaching at Spellman and Morehouse in Atlanta, two small
historically Black colleges in Atlanta, GA. I also taught at the Atlanta College of
Art, which has now become part of the Savannah College of Art and Design. Additionally,
I had teaching duties as part of my PhD fellowship at Emory University in the Violence
Studies program. My Masters was undertaken at the University of Notre Dame where I
worked in the Reilly Center for Ethics and Values in Technology, in addition to pursuing
early research on artists who specialize in Waste Management issues and large bioremediation
projects, or artists who collaborated with scientists in toxicology and environmental
science. For undergraduate work, I studied at Arizona State University in the Herberger
Institute, ranked number one in the US for innovation for many years in a row. Most
people do not equate art history with technology or STEM fields, but I’ve been working
in the crossover since the 1980s. I also work with the MIT MediaLab in synthetic biology
and community lab initiatives. The umbrella that covers my research and teaching activities
has to do with art as it intersects with technology and innovation.
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How long have you been teaching at FGCU?
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I have been teaching at FGCU since 2004. I was hired to help build an art program
with an emphasis on art and ecology, sustainability, and civic engagement. There were
2,500 students at FGCU when I began. I have been on three committees over the years
as we crafted our FGCU mission statements, and adapted to radical growth. For the
first decade, as you can imagine, our focus was on quality issues and growth. One
cannot go from 2500 students to 15,000 in a decade without serious strategic planning
issues and faculty involvement in the mission and values of the university. I came
to FGCU because I believed in the values and the student population we serve.
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What kind of books do you most like to read for pleasure? What’s a recent title you
would recommend?
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I am an omnivorous reader, but I tend to enjoy hard science fiction the best, to just
escape into a great adventure. Any book by Neal Stephenson, including Seven Eves or
Cryptonomicon would be any easy read, like a romp where you might not even notice
you were learning science and technology. Seven Eves would be most enthusiastically
recommended for its engagement with bioengineering and ecosystem management, as well
as terrifically strong female scientists. Cryptonomicon would be a great way for anyone
to become familiar with the history of computing, twentieth century history, and privacy
or security rights, in addition to entrepreneurship culture as it developed in Silicon
Valley, where I was born. It is hard to balance rigorousness with a fast, engaging
read, and Stephenson is my go-to author for that amazing adventurous combination.
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If you could have dinner with any historical figure, who would it be and what would
you ask them?
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What new teaching techniques/technologies have you learned or used as a result of
working remotely that you could share with other colleagues
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For myself, being present and flexible is the most important thing. Technology helps
me be instantly there for my students when I respond to their message alerts. There
has been a drastic statistical rise in hopelessness among the university population
of the United States and I feel we must be in that virtual classroom with empathy
and structure. I like that they can ping me on my cell phone and I’m not tied to being
logged into the computer. Sometimes a student will ask simply for someone to say,
“you can do it.” That was hard to figure out this summer. They do not need my technical
advice, per say, when they ask me a question, I’m increasingly realizing they just
want to know I care and they are not alone as they walk through different activities,
probably in isolation. I’m working side by side with more students, just as support
rather than a problem solver. It feels gentler, and not what I was used to before.
I used to only hear from many students if they had a problem. Now, they check in for
simple things and positivity. Therefore, I check in more frequently with them, too.
Over the summer, I used many, many reminders, brief and quick e-mail blasts, to say
things like: “45% of you have turned this in, great job! You have three more days.”
Then the next day: “70% of you have turned this in already! You are doing an amazing
job keeping on top of things!” At first it felt like I was being annoying by blasting
them almost everyday. But later, they all said it was tremendously helpful. I also
used screen shots of the Canvas Analytics. They liked seeing those images of the class
progress. I also always referred to our learning community, whenever possible as “we.”
I tried simple statements of inclusion, so they didn’t feel alone. For the Zoom lectures,
the free chat feature has been amazing. I find it so incredibly interactive, I never
had that many questions in my in person classes. I can see their personalities better
now, too, as they ask many questions I would not have anticipated. They ask questions
in “private” mode in the chat, which tells me, they feel more confident typing me
directly. Nonetheless, I save the chat and send it out. They type and I verbally answer
the questions live, real time.
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What are you doing to take care of your mental health during social isolation?
Toggle More Info I try to reach out to old friends more, people I’ve know since high school. That
has been funny to realize the “oldies” are the “goodies.” We are more candid with
each other and our bonds have strengthened. I also formed new collaborative networks,
in the early lock down, that have been weekly productivity meetings for research projects.
I speak to colleagues in Europe on Viber or What’s App almost everyday over my morning
coffee, just a brief check in, as nobody wants a call at 6am in America, and it helps
me feel connected before I start my day. They are also reaching out to me more because
the news they see makes the situation seem very scary in America. I try to reassure
them, mostly we are adapting. The images of police violence and protests are confusing
for my colleagues overseas. They do not understand our national response to the dangers
of Covid-19. I try my best to explain where we might have hope. There have been days
when my colleagues in Europe thought America was collapsing and it was scary for them.
They did not like seeing the soldiers on the Washington mall. We had lots of talks
about this. It helped me to talk about media ecology and dis-information, too. As
my colleagues in Bosnia and Serbia mostly have Russian television and real problems
with propaganda on Facebook, in their own societies, they understand and we have fruitful
discussions that give me hope. There are global watchdogs for this and I share updates
to help colleagues discern reality by sharing authoritative sites like the Hamilton
Dashboard. My European colleagues remember the Marshall Plan and respect the work.
As it is non-partisan, people see the daily reports in malware and bots and can make
sense of their own information architecture, too. Half of my colleagues are historical
propaganda specialists, so it is especially disturbing when they are getting really
slick and well designed anti-American news and even the experts have trouble discerning
what is real. It helps to talk to them about the balance between freedom of speech,
rule of law, and digital platforms. I feel sad we are increasingly loosing faith in
our institutions, but talking with colleagues helps.
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When life returns to some semblance of “normal” what do you most look forward to doing/experiencing?
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Getting on a plane and traveling. I never realized how much I traveled before. I see
planes in the sky now and think of super spreading events. I used to look at the jets
in the sky and think they represented freedom and exploration. Not anymore. So, it
will be a while before I feel safe to physically move around the world again, and
even then, we have to wonder which countries will let Americans back in. But, generally,
I miss working with colleagues overseas, gathering for an art opening, and attending
conferences or mounting art exhibits and public projects. The culture industries have
suffered, globally. Culture workers from dancers and opera stars to theater lighting
techs are on the edge, with furloughs and institutions closed. Public events are all
on hold, so I cannot wait to resume the public life of a culture worker. Museums have
radically changed, but online programming is robust for me to teach with, as a nice
consequence. I’d like to take my students to museums, again. I’d like to have an end
of year picnic on the beach with one of my advanced seminars at the end of spring
semester. We used to do a potluck and those were lovely memories, closing out our
school year. Maybe it would be possible in May, with precautions and social distancing.
I wonder how much time it will take before we can greet each other with hugs, again.
I look forward to hugging my parents who live out west.